Egrets to the Flame
Egrets to the Flames

Barbara Anton

Reviewed by Amy Lignor

Mighty cane fields burning in South Florida lend a sultry backdrop to this epic family saga.  The Hampton’s are an influential, privileged family of sugar cane growers.  The patriarch of the family, James Henry Hampton, is not only the core of the family but also of this rich and vibrant story.  His wife, children, townspeople, dance around him like moths to a bright and forceful flame.  

James is struggling with all his might and determination to maintain his lifestyle and his immense holdings while at the same time trying to keep his family “on the right road.”  To put it mildly, James is a very busy character.  He has a wife AND a mistress; he has a son, Henry, whose best asset seems to be his willingness and talent at self-destruction (he marries a field hand’s pregnant daughter).  James also has another son, Jeffrey who, with his beloved wife, faces great losses.  Not to be outdone, the lone daughter, Melisandra, wishes (and succeeds) in marring an impoverished prince whose only desire is to rip her wealth and security out from underneath her and her family.   

These characters wrapped me completely with their inane humor, their countless mistakes, and their almost ridiculous outlook on life that comes from the power of having “too much”.  I loved their decadence and pomposity, as well as the deep, dark secrets that old mom had hidden away.  For a brief moment in this book mom to a back seat to her powerful husband and wayward children, but I will always remember her as the strong, silent type that was determined to take her secrets to the grave.  

Like a Danielle Steele epic, Barbara Anton’s novel is steamy, riveting, and so beautifully written that the reader is pulled into this family.  It’s as if we are watching from the walls of this family’s mansion as their lives interweave and collapse right before our eyes.  

The only sad part to report about this novel is that the author passed away in May of 2007.  I, among many after reading this book, can feel the loss of a great talent to the industry.  Side note to the readers:  Barbara Anton wrote many plays (thirty-six of which were produced in New York); has written poetry and short stories and won hundreds of awards for her work.  My suggestion to you:  If they are all even a quarter as creative as this book, I suggest we all run out and find anything and everything in the “card catalogue” that came from this eloquent writer’s mind.

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